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	<title>Comments on: Outdoor Portraiture &#8211; Photographing Families in Natural Light</title>
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	<link>http://www.studioonashoestring.com/196/outdoor-portraiture-photographing-families-in-natural-light/</link>
	<description>Photography tips and techniques for the cash-challenged</description>
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		<title>By: deborahwolfe</title>
		<link>http://www.studioonashoestring.com/196/outdoor-portraiture-photographing-families-in-natural-light/comment-page-1/#comment-217</link>
		<dc:creator>deborahwolfe</dc:creator>
		<pubDate>Wed, 02 Mar 2011 15:16:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.studioonashoestring.com/?p=196#comment-217</guid>
		<description>Hi Glynis. So glad you&#039;re enjoying the site. And yes, I LOVE flowers. They make my liver smile.</description>
		<content:encoded><![CDATA[<p>Hi Glynis. So glad you&#8217;re enjoying the site. And yes, I LOVE flowers. They make my liver smile.</p>
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		<title>By: Glynis A Neslen</title>
		<link>http://www.studioonashoestring.com/196/outdoor-portraiture-photographing-families-in-natural-light/comment-page-1/#comment-216</link>
		<dc:creator>Glynis A Neslen</dc:creator>
		<pubDate>Wed, 02 Mar 2011 14:56:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.studioonashoestring.com/?p=196#comment-216</guid>
		<description>Hi Deborah, like your work and your comments. Its good to know there are women photographers out there who aren&#039;t afraid to do flowers, I work with a woman who does exquisite medium format photos of flowers at HSAD (Hull School of Art &amp; Design, UK)  I like natural landscapes and wild life especially trying to capture squirrels! Am reasonably new to lightroom and I like some of your ideas in photoshop.

Glynis</description>
		<content:encoded><![CDATA[<p>Hi Deborah, like your work and your comments. Its good to know there are women photographers out there who aren&#8217;t afraid to do flowers, I work with a woman who does exquisite medium format photos of flowers at HSAD (Hull School of Art &amp; Design, UK)  I like natural landscapes and wild life especially trying to capture squirrels! Am reasonably new to lightroom and I like some of your ideas in photoshop.</p>
<p>Glynis</p>
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		<title>By: deborahwolfe</title>
		<link>http://www.studioonashoestring.com/196/outdoor-portraiture-photographing-families-in-natural-light/comment-page-1/#comment-34</link>
		<dc:creator>deborahwolfe</dc:creator>
		<pubDate>Wed, 11 Mar 2009 21:22:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.studioonashoestring.com/?p=196#comment-34</guid>
		<description>Hi Matt,

First of all, thanks for reading and appreciating my blog.  I&#039;m really happy people are learning from the things I&#039;m putting out there.

I&#039;ll be happy to tell you how I achieved the look of the image in question.  

I started in Lightroom.  I almost always adjust &#039;clarity&#039; and &#039;vibrance&#039;.  In this case, it was +25 and + 50, respectively.  I also almost always use the vignette function in Lightroom (Lens Correction), in this case Amount -100, Midpoint left at 50.  I also usually sharpen the image a bit, as most images could do with some sharpening.  

After I exported to Adobe Photoshop CS3, I decided I wanted the image to have a gritty, grainy &#039;urban&#039; feel to it.  I&#039;ve make no bones about the fact I LOVE using Photoshop actions.  For this particular image, I worked with Doug Boutwell&#039;s Totally Rad Actions.  The first thing I selected was his Pross Crossessed #2, dialed back to 75% opacity.  I really liked the color shift and increased contrast, but still didn&#039;t feel it was quite there yet.  Here&#039;s what Doug has to say about this action:  &quot;Creates green-yellow highlights and warm-reddish shadows.  Much more &#039;acidy&#039; looking.&quot;

Next I decided to layer it with Boutwell&#039;s Prettyizer action, dialed back to 25% opacity.  This added a bit more richness and depth.  However, it still didn&#039;t have a gritty, grainy feeling.  That&#039;s when I went digging around through my own catalog of backgrounds I keep on file for layer and overlays.  I found one of the side of a rusty old tractor shot in the golden glow of a late afternoon.  I used that as a overlay, dialed back to 50%, then created a layer mask for it, so I could erase it from his face.  I wanted his face to be &#039;clear&#039;.

So, that&#039;s how I did it.

If you decide you want to get some of those actions or gear that I talk about and you click through the links or the banners in my sidebars, I get a bit of monetary motivation to keep providing this info.  Just sayin&#039;.  :-)</description>
		<content:encoded><![CDATA[<p>Hi Matt,</p>
<p>First of all, thanks for reading and appreciating my blog.  I&#8217;m really happy people are learning from the things I&#8217;m putting out there.</p>
<p>I&#8217;ll be happy to tell you how I achieved the look of the image in question.  </p>
<p>I started in Lightroom.  I almost always adjust &#8216;clarity&#8217; and &#8216;vibrance&#8217;.  In this case, it was +25 and + 50, respectively.  I also almost always use the vignette function in Lightroom (Lens Correction), in this case Amount -100, Midpoint left at 50.  I also usually sharpen the image a bit, as most images could do with some sharpening.  </p>
<p>After I exported to Adobe Photoshop CS3, I decided I wanted the image to have a gritty, grainy &#8216;urban&#8217; feel to it.  I&#8217;ve make no bones about the fact I LOVE using Photoshop actions.  For this particular image, I worked with Doug Boutwell&#8217;s Totally Rad Actions.  The first thing I selected was his Pross Crossessed #2, dialed back to 75% opacity.  I really liked the color shift and increased contrast, but still didn&#8217;t feel it was quite there yet.  Here&#8217;s what Doug has to say about this action:  &#8220;Creates green-yellow highlights and warm-reddish shadows.  Much more &#8216;acidy&#8217; looking.&#8221;</p>
<p>Next I decided to layer it with Boutwell&#8217;s Prettyizer action, dialed back to 25% opacity.  This added a bit more richness and depth.  However, it still didn&#8217;t have a gritty, grainy feeling.  That&#8217;s when I went digging around through my own catalog of backgrounds I keep on file for layer and overlays.  I found one of the side of a rusty old tractor shot in the golden glow of a late afternoon.  I used that as a overlay, dialed back to 50%, then created a layer mask for it, so I could erase it from his face.  I wanted his face to be &#8216;clear&#8217;.</p>
<p>So, that&#8217;s how I did it.</p>
<p>If you decide you want to get some of those actions or gear that I talk about and you click through the links or the banners in my sidebars, I get a bit of monetary motivation to keep providing this info.  Just sayin&#8217;.  <img src='http://www.studioonashoestring.com/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
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		<title>By: Matt Heath</title>
		<link>http://www.studioonashoestring.com/196/outdoor-portraiture-photographing-families-in-natural-light/comment-page-1/#comment-33</link>
		<dc:creator>Matt Heath</dc:creator>
		<pubDate>Wed, 11 Mar 2009 17:10:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.studioonashoestring.com/?p=196#comment-33</guid>
		<description>Hi,

I ve  read all your articles and find them very helpful, ive certainly learnt from you! Im really intrigued by the photo of a boy sitting at the bottom of a slide? Ide love to know how this effect was achieved, I have both lightroom 2 and PS cs3, is it a complicated edit? It has a real urban/cross processed look.

Thanks

Matt</description>
		<content:encoded><![CDATA[<p>Hi,</p>
<p>I ve  read all your articles and find them very helpful, ive certainly learnt from you! Im really intrigued by the photo of a boy sitting at the bottom of a slide? Ide love to know how this effect was achieved, I have both lightroom 2 and PS cs3, is it a complicated edit? It has a real urban/cross processed look.</p>
<p>Thanks</p>
<p>Matt</p>
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